The guy you’re watching overhead with the strange mexican hat is Jochem Peteri, well known for the international electronic scene under Newworldaquarium. Liked for his unexpected slow-dance groovy tracks, after released 12″ for planet e, peacefrog, or delsin, he plans to release in March the cd version (with bonus tracks) of the acclaimed vinyl-album “The dead bears” few months ago. Let’s try to uncover the secrets of a very talented but so discreet artist from Amsterdam. Our ears are wild open… Continue reading
Monthly Archives: January 2008
[En] Monolake – Fragment endlos : Free track of the month
Each months since a while, great Berlin producer and developer of the fantastic Ableton Live software, Monolake dives into his archives to give us a track for free (and sometimes more). Continue reading
[En] The Tuss – Rushup I bank 12 video (rephlex)
The music of this video clip is taken from one of the best – and mysterious – album of 2007 : Rushup edge by The Tuss on the rephlex label. A lot of words have been written about the identity of The Tuss. First, everybody thought The Tuss was Brian Tregaskin, a never-heard-about-him guy, new gifted composer on the prestigious rephlex roster. Maybe too much talented… Continue reading
[En] Interview + Playlist : Ben Klock (bptich control, ostgut ton, memo)
It’s a great pleasure that talented berliner Ben Klock open this new part on Boing Poum Tchak! Continue reading
[Fr] Krill.minima – Nautica (native state)
Big blue(s)
krill.minima, c’est le projet de Marsen Jules (Martin Juhls pour l’Etat civil allemand) que l’on a souvent repéré pour ses effluves aquatiques sur des netlabels comme Thinner, Miasmah, Stadtgruen ou encore quelques apparitions chez les lituaniens de Sutemos. Continue reading
[Fr] STL – Night grooves (something)
Groovy STyLe
Derrière STL se cache le très discret Stephan Laubner, fidèle du label perlon. Pour rappel on lui doit en 2000 l’un des peaks du catalogue : le coup de maître Portside waves et ses incroyables tourbillons marins, repris sur la compilation Groovetechnology de Swayzak, et décortiqué au scalpel dans le mille-feuille minimal DE9 de Richtie Hawtin. Après ce premier morceau, Stephan était presque retombé dans l’anonymat, ne sortant en moyenne qu’une poignée de titres tous les 3 ans sur perlon. Continue reading